Speech perception is the process by which the sounds of language are heard, interpreted and understood. The study of speech perception is closely linked to the fields of phonetics and phonology in linguistics and cognitive psychology and perception in psychology. Research in speech perception seeks to understand how human listeners recognize speech sounds and use this information to understand spoken language. Speech perception research has applications in building computer systems that can recognize speech, in improving speech recognition for hearing- and language-impaired listeners, as well as in foreign-language teaching.
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The process of perceiving speech begins at the level of the sound signal and the process of audition. (For a complete description of the process of audition see Hearing.) After processing the initial auditory signal, speech sounds are further processed to extract acoustic cues and phonetic information. This speech information can then be used for higher-level language processes, such as word recognition.
The speech sound signal contains a number of acoustic cues that are used in speech perception. The cues differentiate speech sounds belonging to different phonetic categories. For example, one of the most studied cues in speech is voice onset time or VOT. VOT is a primary cue signaling the difference between voiced and voiceless stop consonants, such as "b" and "p". Other cues differentiate sounds that are produced at different places of articulation or manners of articulation. The speech system must also combine these cues to determine the category of a specific speech sound. This is often thought of in terms of abstract representations of phonemes. These representations can then be combined for use in word recognition and other language processes.
It is not easy to identify what acoustic cues listeners are sensitive to when perceiving a particular speech sound:
At first glance, the solution to the problem of how we perceive speech seems deceptively simple. If one could identify stretches of the acoustic waveform that correspond to units of perception, then the path from sound to meaning would be clear. However, this correspondence or mapping has proven extremely difficult to find, even after some forty-five years of research on the problem.[1]
If a specific aspect of the acoustic waveform indicated one linguistic unit, a series of tests using speech synthesizers would be sufficient to determine such a cue or cues. However, there are two significant obstacles:
Although listeners perceive speech as a stream of discrete units (phonemes, syllables, and words), this linearity is difficult to be seen in the physical speech signal (see Figure 2 for an example). Speech sounds do not strictly follow one another, rather, they overlap.[5] A speech sound is influenced by the ones that precede and the ones that follow. This influence can even be exerted at a distance of two or more segments (and across syllable- and word-boundaries).[5]
Having disputed the linearity of the speech signal, the problem of segmentation arises: one encounters serious difficulties trying to delimit a stretch of speech signal as belonging to a single perceptual unit. This can be again illustrated by the fact that the acoustic properties of the phoneme /d/ will depend on the production of the following vowel (because of coarticulation).
The research and application of speech perception has to deal with several problems which result from what has been termed the lack of invariance. As was suggested above, reliable constant relations between a phoneme of a language and its acoustic manifestation in speech are difficult to find. There are several reasons for this:
Despite the great variety of different speakers and different conditions, listeners perceive vowels and consonants as constant categories. It has been proposed that this is achieved by means of the perceptual normalization process in which listeners filter out the noise (i.e. variation) to arrive at the underlying category. Vocal-tract-size differences result in formant-frequency variation across speakers; therefore a listener has to adjust his/her perceptual system to the acoustic characteristics of a particular speaker. This may be accomplished by considering the ratios of formants rather than their absolute values.[9][10][11] This process has been called vocal tract normalization (see Figure 3 for an example). Similarly, listeners are believed to adjust the perception of duration to the current tempo of the speech they are listening to – this has been referred to as speech rate normalization.
Whether or not normalization actually takes place and what is its exact nature is a matter of theoretical controversy (see theories below). Perceptual constancy is a phenomenon not specific to speech perception only; it exists in other types of perception too.
Categorical perception is involved in processes of perceptual differentiation. People perceive speech sounds categorically, that is to say, they are more likely to notice the differences between categories (phonemes) than within categories. The perceptual space between categories is therefore warped, the centers of categories (or "prototypes") working like a sieve[12] or like magnets[13] for incoming speech sounds.
In an artificial continuum between a voiceless and a voiced bilabial stop, each new step differs from the preceding one in the amount of VOT. The first sound is a pre-voiced [b], i.e. it has a negative VOT. Then, increasing the VOT, it reaches zero, i.e. the stop is a plain unaspirated voiceless [p]. Gradually, adding the same amount of VOT at a time, the stop is eventually a strongly aspirated voiceless bilabial [pʰ]. (Such a continuum was used in an experiment by Lisker and Abramson in 1970.[14] The sounds they used are available online.) In this continuum of, for example, seven sounds, native English listeners will identify the first three sounds as /b/ and the last three sounds as /p/ with a clear boundary between the two categories.[14] A two-alternative identification (or categorization) test will yield a discontinuous categorization function (see red curve in Figure 4).
In tests of the ability to discriminate between two sounds with varying VOT values but having a constant VOT distance from each other (20 ms for instance), listeners are likely to perform at chance level if both sounds fall within the same category and at nearly 100% level if each sound falls in a different category (see the blue discrimination curve in Figure 4).
The conclusion to make from both the identification and the discrimination test is that listeners will have different sensitivity to the same relative increase in VOT depending on whether or not the boundary between categories was crossed. Similar perceptual adjustment is attested for other acoustic cues as well.
The process of speech perception is not necessarily uni-directional. That is, higher-level language processes connected with morphology, syntax, or semantics may interact with basic speech perception processes to aid in recognition of speech sounds. It may be the case that it is not necessary and maybe even not possible for a listener to recognize phonemes before recognizing higher units, like words for example. After obtaining at least a fundamental piece of information about phonemic structure of the perceived entity from the acoustic signal, listeners are able to compensate for missing or noise-masked phonemes using their knowledge of the spoken language.
In a classic experiment, Richard M. Warren (1970) replaced one phoneme of a word with a cough-like sound. His subjects restored the missing speech sound perceptually without any difficulty and what is more, they were not able to identify accurately which phoneme had been disturbed.[15] This is known as the phonemic restoration effect. Another basic experiment compares recognition of naturally spoken words presented in a sentence (or at least a phrase) and the same words presented in isolation. Perception accuracy usually drops in the latter condition. Garnes and Bond (1976) also used carrier sentences when researching the influence of semantic knowledge on perception. They created series of words differing in one phoneme (bay/day/gay, for example). The quality of the first phoneme changed along a continuum. All these stimuli were put into different sentences each of which made sense with one of the words only. Listeners had a tendency to judge the ambiguous words (when the first segment was at the boundary between categories) according to the meaning of the whole sentence.[16]
Infants begin the process of language acquisition by being able to detect very small differences between speech sounds. They are able to discriminate all possible speech contrasts (phonemes). Gradually, as they are exposed to their native language, their perception becomes language-specific, i.e. they learn how to ignore the differences within phonemic categories of the language (differences that may well be contrastive in other languages – for example, English distinguishes two voicing categories of stop consonants, whereas Thai has three categories; infants must learn which differences are distinctive in their native language uses, and which are not). As infants learn how to sort incoming speech sounds into categories, ignoring irrelevant differences and reinforcing the contrastive ones, their perception becomes categorical. Infants learn to contrast different vowel phonemes of their native language by approximately 6 months of age. The native consonantal contrasts are acquired by 11 or 12 months of age.[17] Some researchers have proposed that infants may be able to learn the sound categories of their native language through passive listening, using a process called statistical learning. Others even claim that certain sound categories are innate, that is, they are genetically specified (see discussion about innate vs. acquired categorical distinctiveness).
If day-old babies are presented with their mother's voice speaking normally, abnormally (in monotone), and a stranger's voice, they react only to their mother's voice speaking normally. When a human and a non-human sound is played, babies turn their head only to the source of human sound. It has been suggested that auditory learning begins already in the pre-natal period.[18]
How do researchers know if infants can distinguish between speech sounds? One of the techniques used to examine how infants perceive speech, besides the head-turn procedure mentioned above, is measuring their sucking rate. In such an experiment, a baby is sucking a special nipple while presented with sounds. First, the baby's normal sucking rate is established. Then a stimulus is played repeatedly. When the baby hears the stimulus for the first time the sucking rate increases but as the baby becomes habituated to the stimulation the sucking rate decreases and levels off. Then, a new stimulus is played to the baby. If the baby perceives the newly introduced stimulus as different from the background stimulus the sucking rate will show an increase.[18] The sucking-rate and the head-turn method are some of the more traditional, behavioral methods for studying speech perception. Among the new methods (see Research methods below) that help us to study speech perception, near-infrared spectroscopy is widely used in infants.[17]
A large amount of research has studied how users of a language perceive foreign speech (referred to as cross-language speech perception) or second-language speech (second-language speech perception). The latter falls within the domain of second language acquisition.
Languages differ in their phonemic inventories. Naturally, this creates difficulties when a foreign language is encountered. For example, if two foreign-language sounds are assimilated to a single mother-tongue category the difference between them will be very difficult to discern. A classic example of this situation is the observation that Japanese learners of English will have problems with identifying or distinguishing English liquid consonants /l/ and /r/.[19]
Best (1995) proposed a Perceptual Assimilation Model which describes possible cross-language category assimilation patterns and predicts their consequences.[20] Flege (1995) formulated a Speech Learning Model which combines several hypotheses about second-language (L2) speech acquisition and which predicts, in simple words, that an L2 sound that is not too similar to a native-language (L1) sound will be easier to acquire than an L2 sound that is relatively similar to an L1 sound (because it will be perceived as more obviously "different" by the learner).[21]
Research in how people with language or hearing impairment perceive speech is not only intended to discover possible treatments. It can provide insight into what principles underlie non-impaired speech perception. Two areas of research can serve as an example:
One of the basic problems in the study of speech is how to deal with the noise in the speech signal. This is shown by the difficulty that computer speech recognition systems have with recognizing human speech. These programs can do well at recognizing speech when they have been trained on a specific speaker's voice, and under quiet conditions. However, these systems often do poorly in more realistic listening situations where humans are able to understand speech without difficulty.
Research into the relationship between music and cognition is an emerging field related to the study of speech perception. Originally it was theorized that the neural signals for music were processed in a specialized "module" in the right hemisphere of the brain. Conversely, the neural signals for language were to be processed by a similar "module" in the left hemisphere.[24] However, utilizing technologies such as fMRI machines, research has shown that two regions of the brain traditionally considered exclusively to process speech, Broca's and Wernicke's areas, also become active during musical activities such as listening to a sequence of musical chords.[24] Other studies, such as one performed by Marques et al. in 2006 showed that 8-year-olds that were given six months of musical training showed an increase in both their pitch detection performance as well as in their electrophysiological measures when made to listen to an unknown foreign language[25]
Conversely, some research has revealed that, rather than music affecting our perception of speech, our native speech can affect our perception of music. One example is the tritone paradox. The tritone paradox is where a listener is presented with two computer-generated tones (such as C and C-Sharp) that are half an octave (or a tritone) apart and are then asked to determine whether the pitch of the sequence is descending or ascending. One such study, performed by Ms. Diana Deutsch, found that the listeners interpretation of ascending or descending pitch was influenced by the listeners language or dialect, showing variation between those raised in the south of England and those in California or from those in Vietnam and those in California whose native language was English.[24] A second study, performed in 2006 on a group of English speakers and 3 groups of East Asian students at University of Southern California, discovered that English speakers who had begun musical training at or before age 5 had a 8% chance of having perfect pitch. For the East Asian students that were fluent in their native tone language, 92 percent of the students had perfect pitch.[24]
The methods used in speech perception research can be roughly divided into three groups: behavioral, computational, and, more recently, neurophysiological methods. Behavioral experiments are based on an active role of a participant, i.e. subjects are presented with stimuli and asked to make conscious decisions about them. This can take the form of an identification test, a discrimination test, similarity rating, etc. These types of experiments help to provide a basic description of how listeners perceive and categorize speech sounds.
Computational modeling has also been used to simulate how speech may be processed by the brain to produce behaviors that are observed. Computer models have been used to address several questions in speech perception, including how the sound signal itself is processed to extract the acoustic cues used in speech, as well as how speech information is used for higher-level processes, such as word recognition.[26]
Neurophysiological methods rely on utilizing information stemming from more direct and not necessarily conscious (pre-attentative) processes. Subjects are presented with speech stimuli in different types of tasks and the responses of the brain are measured. The brain itself can be more sensitive than it appears to be through behavioral responses. For example, the subject may not show sensitivity to the difference between two speech sounds in a discrimination test, but brain responses may reveal sensitivity to these differences.[17] Methods used to measure neural responses to speech include event-related potentials, magnetoencephalography, and near infrared spectroscopy. One important response used with event-related potentials is the mismatch negativity, which occurs when speech stimuli are acoustically different from a stimulus that the subject heard previously.
Neurophysiological methods were introduced into speech perception research for several reasons:
Behavioral responses may reflect late, conscious processes and be affected by other systems such as orthography, and thus they may mask speaker’s ability to recognize sounds based on lower-level acoustic distributions.[27]
Without the necessity of taking an active part in the test, even infants can be tested; this feature is crucial in research into acquisition processes. The possibility to observe low-level auditory processes independently from the higher-level ones makes it possible to address long-standing theoretical issues such as whether or not humans possess a specialized module for perceiving speech[28][29] or whether or not some complex acoustic invariance (see lack of invariance above) underlies the recognition of a speech sound.[30]
Research into speech perception (SP) has by no means explained every aspect of the processes involved. A lot of what has been said about SP is a matter of theory. Several theories have been devised to develop some of the above mentioned and other unclear issues. Not all of them give satisfactory explanations of all problems, however the research they inspired has yielded a lot of useful data.
Speech Mode Hypothesis is the idea that the perception of speech requires the use of specialized mental processing [31] [32]. The Speech Mode Hypothesis is a branch off of Fodor's Modularity Theory (see Modularity of Mind). It utilizes a vertical processing mechanism where limited stimuli are processed by special-purpose areas of the brain that are stimuli specific [32].
Two Versions of Speech Mode Hypothesis
Three important experimental paradigms have evolved in the search to find evidence for the speech mode hypothesis. These are dichotic listening, categorical perception, and duplex perception[31]. Through the research in these categories it has been found that there may not be a specifc speech mode but instead one for auditory codes that require complicated auditory processing. Also it seems that modulatiy is learned in perceptual systems[31]. Despite this the evidence and counter-evidence for the Speech Mode Hypothesis is still unclear and needs further research.
Some of the earliest work in the study of how humans perceive speech sounds was conducted by Alvin Liberman and his colleagues at Haskins Laboratories.[33] Using a speech synthesizer, they constructed speech sounds that varied in place of articulation along a continuum from /bɑ/ to /dɑ/ to /ɡɑ/. Listeners were asked to identify which sound they heard and to discriminate between two different sounds. The results of the experiment showed that listeners grouped sounds into discrete categories, even though the sounds they were hearing were varying continuously. Based on these results, they proposed the notion of categorical perception as a mechanism by which humans are able to identify speech sounds.
More recent research using different tasks and methodologies suggests that listeners are highly sensitive to acoustic differences within a single phonetic category, contrary to a strict categorical account of speech perception.
In order to provide a theoretical account of the categorical perception data, Liberman and colleagues[34] worked out the motor theory of speech perception, where "the complicated articulatory encoding was assumed to be decoded in the perception of speech by the same processes that are involved in production"[1] (this is referred to as analysis-by-synthesis). For instance, the English consonant /d/ may vary in its acoustic details across different phonetic contexts (see above), yet all /d/'s as perceived by a listener fall within one category (voiced alveolar stop) and that is because "lingustic [sic?] representations are abstract, canonical, phonetic segments or the gestures that underlie these segments."[1] When describing units of perception, Liberman later abandoned articulatory movements and proceeded to the neural commands to the articulators[35] and even later to intended articulatory gestures,[36] thus "the neural representation of the utterance that determines the speaker's production is the distal object the lister perceives".[36] The theory is closely related to the modularity hypothesis, which proposes the existence of a special-purpose module, which is supposed to be innate and probably human-specific.
The theory has been criticized in terms of not being able to "provide an account of just how acoustic signals are translated into intended gestures"[37] by listeners. Furthermore, it is unclear how indexical information (e.g. talker-identity) is encoded/decoded along with linguistically relevant information.
The direct realist theory of speech perception (mostly associated with Carol Fowler) is a part of the more general theory of direct realism, which postulates that perception allows us to have direct awareness of the world because it involves direct recovery of the distal source of the event that is perceived. For speech perception, the theory asserts that the objects of perception are actual vocal tract movements, or gestures, and not abstract phonemes or (as in the Motor Theory) events that are causally antecedent to these movements, i.e. intended gestures. Listeners perceive gestures not by means of a specialized decoder (as in the Motor Theory) but because information in the acoustic signal specifies the gestures that form it.[38] By claiming that the actual articulatory gestures that produce different speech sounds are themselves the units of speech perception, the theory bypasses the problem of lack of invariance.
The fuzzy logical theory of speech perception developed by Dominic Massaro[39] proposes that people remember speech sounds in a probabilistic, or graded, way. It suggests that people remember descriptions of the perceptual units of language, called prototypes. Within each prototype various features may combine. However, features are not just binary (true or false), there is a fuzzy value corresponding to how likely it is that a sound belongs to a particular speech category. Thus, when perceiving a speech signal our decision about what we actually hear is based on the relative goodness of the match between the stimulus information and values of particular prototypes. The final decision is based on multiple features or sources of information, even visual information (this explains the McGurk effect).[37] Computer models of the fuzzy logical theory have been used to demonstrate that the theory's predictions of how speech sounds are categorized correspond to the behavior of human listeners.[40]
In addition to the proposals of Motor Theory and Direct Realism about the relation between phonological features and articulatory gestures, Kenneth N. Stevens proposed another kind of relation: between phonological features and auditory properties. According to this view, listeners are inspecting the incoming signal for the so-called acoustic landmarks which are particular events in the spectrum carrying information about gestures which produced them. Since these gestures are limited by the capacities of humans' articulators and listeners are sensitive to their auditory correlates, the lack of invariance simply does not exist in this model. The acoustic properties of the landmarks constitute the basis for establishing the distinctive features. Bundles of them uniquely specify phonetic segments (phonemes, syllables, words).[41]
Exemplar models of speech perception differ from the four theories mentioned above which suppose that there is no connection between word- and talker-recognition and that the variation across talkers is "noise" to be filtered out.
The exemplar-based approaches claim listeners store information for word- as well as talker-recognition. According to this theory, particular instances of speech sounds are stored in the memory of a listener. In the process of speech perception, the remembered instances of e.g. a syllable stored in the listener's memory are compared with the incoming stimulus so that the stimulus can be categorized. Similarly, when recognizing a talker, all the memory traces of utterances produced by that talker are activated and the talker's identity is determined. Supporting this theory are several experiments reported by Johnson[11] that suggest that our signal identification is more accurate when we are familiar with the talker or when we have visual representation of the talker's gender. When the talker is unpredictable or the sex misidentified, the error rate in word-identification is much higher.
The exemplar models have to face several objections, two of which are (1) insufficient memory capacity to store every utterance ever heard and, concerning the ability to produce what was heard, (2) whether also the talker's own articulatory gestures are stored or computed when producing utterances that would sound as the auditory memories.[11][37]
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